Pertanyaan
limang perangan. Sa Kawangun saka sing nepungake katah sijine prangan gegayutan antarananan, paraga, lan sijine sing dicritak paraga siji lan a. ending b. complication c. rising action Yo exposition e. tuming point 18. Jinis drama kang nyritakake babagan kasusahan utawa prihatin diarani Di) melodrama b. opera c. trage komedi d. sendratari e. tablo (y) Kahanan sosial budaya e. kahanan psikologis paraga 20. Menehi langgapan marang isi dram. aleges menehi pambijen. Dene in ngisor iki sing ora klebu tata cara anggone menehi tanggapan yaiku .... a. tanggapan diandharake kanthi gancaran kang cekak lan padhet- b. tanggapan dikantheni alesan kang tinemu nalar 甲 tanggapan diwedhar kanthi ukara sing dawa lan nglarani ati d. prakara kang ditanggapi kudu cetha e. tembung lan ukara sing digu= nakake gampang ditampa lan dimangerteni B. Wangsulana pitakon ing ngisor iki kanthi patitis! Naskah drama bisa kajupuk saka maneka sumber. Salah sijine saka geguritan kanthi cara dramatisasi geguritan. Apa sing dikarepake? Andharna! Wangsulan: Kanthi nonton pamentasan drama, kita bisa mangerteni ana paraga sing duwe watak ala lan becik. Mangkono bisa dimangenteni saka saperangan cara. Apa bae cara sing dikarepake? Andharna! Horsi Wangsulan: Jinising drama bisa kapantha dadi saperangan babag adhedhasar jinise. Ana drama tradhisional lan modheren. Apa sing bedakake rong jinis drama kasebut? Andharna! Wangsulan: Pamentasan drama kawiwitan saka skenario drama sing wis dirantam. Babagan apa bae kang kudu digatekake nalika arep nggelar pamentasan drama? Wangsulan : Apa sing komangerteni babagan skenario? Wangsulan: Amrih Luwih Becik Pamentasan drama amarga ana naskah skenario. Sajroning skenario ngandhut kabeh katrangan kanggo lumakune drama. Apa gunane skenario? Wangsulan: Basa Jawa Kelas X-1 57
Jawaban
b
c
Penjelasan
1. The term 'exposition' in the context of a story or drama refers to the introduction where characters, setting, and the basic situation are established.
2. 'Melodrama' is a genre of drama that emphasizes emotional and sensational dramatic action, often involving victimization and which typically has a resolution that reaffirms moral order.
3. The context of 'kahanan sosial budaya' or social and cultural conditions is not typically a direct aspect of giving feedback on the content of a drama. Feedback would usually focus on the narrative, characters, and presentation rather than the broader social and cultural context unless it is specifically relevant to the critique.
4-6. The remaining questions require specific answers related to the understanding of drama, which are not provided in the question prompt.
Pertanyaan Panas
lebih
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